He's whistling Patsy Cline's Crazy and cutting through Central Park after midnight, not a care in the world and seemingly not noticing the shadows that shift from an alley and follow him in.
Well, let it never be said that the woman in the cowl and catsuit isn't a fan of Patsy Cline. That's probably why she drops from the roof to follow like a calm silent shadow.
No reason to get antsy. Maybe it's an innocuous thing.
But maybe she's going to get to smash some faces in--that could be fun.
[There's a mind on the street, distracted and curiously impenetrable, eventually belonging to a familiar blond head passing beneath a streetlight. Which has she noticed first, the mind or the man?]
[Distracted as he is - occupied with mundane figures and calculations from recent fiscal reports - there are always the quiet sparks of ability in the people he passes, and he catches one now. But...high, not at street level.
He keeps track of the flicker for the next block and a half to confirm and yes. It's following. A mask, it must be, either hero or villain. Only one way to find out which.
Smoothly he changes course, striding down an alley between two buildings and pausing where the buildings widen into a tiny courtyard. Then he speaks, not loudly but in a neutral, cool voice.]
[This is clearly Leigh's cue to step out of the shadows next to her, collar of his trenchcoat pulled high and hat pulled low, smile glinting in the darkness. He lives on the cheap. Of course his 'costume' is barely a costume at all.]
Good for the city, not so good as an excuse to hang out with you. [He hunkers down in order to lean over the parapet.] Dare still stewing? Last I saw Bel, she was hatching a plan to get him to knock it off.
Oh, certainly. [It's just the Dealer is a workaholic.] [Rather like someone else she knows and has very slight, very ridiculous suspicions about] [And who also wouldn't be able to fight crime currently.]
We wouldn't want to burn out. The work's too important.
She might notice a hint of movement from a nearby rooftop. There's a man (http://s3.amazonaws.com/data.tumblr.com/tumblr_lpje95uoet1qzukiyo2_1280.jpg?AWSAccessKeyId=AKIAJ6IHWSU3BX3X7X3Q&Expires=1321889418&Signature=oWmkMsfCzOZwI8yVv5F0h79b2Ys%3D) perched there, all in black of course, just waiting. When a car pulls up on the street below and someone gets out and enters the building, he'll stand slowly, the movement relaxed, and move toward the door that leads back into the building. She might also notice the glint of moonlight on the blade in one of his hands.
What she will not notice is any sense of what he's thinking.
It's unusual not noticing blips of thoughts before movement. It's a good deal more dangerous, frankly. Being Darren's "trump card" came from being able to get through people's thoughts as they were thinking them. With a blind-spot like this? She's half-useless.
But only half.
The movement is enough to get her on her feet and following, silent, across to the rooftop with movement.
He'll pause, his hand on the doorknob. He didn't have any special ability that let him know when he was being watched, but still, there was a prickling on the back of his neck...
He listened to that sort of feeling, it's what kept him from tangling too often with the self-appointed "heroes" of the city. So they couldn't recognize him on sight, unlike some of their other antagonists.
But if he waits too much longer, his target will be safely ensconced and much more difficult to reach. Difficult enough to wait for another night, though is employer will be displeased.
He's whistling Patsy Cline's Crazy and cutting through Central Park after midnight, not a care in the world and seemingly not noticing the shadows that shift from an alley and follow him in.
Well, let it never be said that the woman in the cowl and catsuit isn't a fan of Patsy Cline. That's probably why she drops from the roof to follow like a calm silent shadow.
No reason to get antsy. Maybe it's an innocuous thing.
But maybe she's going to get to smash some faces in--that could be fun.
[There's a mind on the street, distracted and curiously impenetrable, eventually belonging to a familiar blond head passing beneath a streetlight. Which has she noticed first, the mind or the man?]
[This is clearly Leigh's cue to step out of the shadows next to her, collar of his trenchcoat pulled high and hat pulled low, smile glinting in the darkness. He lives on the cheap. Of course his 'costume' is barely a costume at all.]
She might notice a hint of movement from a nearby rooftop. There's a man (http://s3.amazonaws.com/data.tumblr.com/tumblr_lpje95uoet1qzukiyo2_1280.jpg?AWSAccessKeyId=AKIAJ6IHWSU3BX3X7X3Q&Expires=1321889418&Signature=oWmkMsfCzOZwI8yVv5F0h79b2Ys%3D) perched there, all in black of course, just waiting. When a car pulls up on the street below and someone gets out and enters the building, he'll stand slowly, the movement relaxed, and move toward the door that leads back into the building. She might also notice the glint of moonlight on the blade in one of his hands.
What she will not notice is any sense of what he's thinking.
It's unusual not noticing blips of thoughts before movement. It's a good deal more dangerous, frankly. Being Darren's "trump card" came from being able to get through people's thoughts as they were thinking them. With a blind-spot like this? She's half-useless.
But only half.
The movement is enough to get her on her feet and following, silent, across to the rooftop with movement.
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No reason to get antsy. Maybe it's an innocuous thing.
But maybe she's going to get to smash some faces in--that could be fun.
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Not even when the nervous little one pulls a knife. He just raises his hands.
"Problem, fellas?"
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...
Because the secret needs to get out eventually
For great justice!
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He keeps track of the flicker for the next block and a half to confirm and yes. It's following. A mask, it must be, either hero or villain. Only one way to find out which.
Smoothly he changes course, striding down an alley between two buildings and pausing where the buildings widen into a tiny courtyard. Then he speaks, not loudly but in a neutral, cool voice.]
You're wasting your time.
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...best dad.
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I am drowning in tags. what is one more.
How's it going tonight?
That is how we roll, yo.
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...pretend that didn't happen.
If you pretend that HTML didn't happen before.
did anything happen? nothing happened!
Nothing to see here but us being smooth.
I chose sleep over tagging last night. But Isobel is here now.
Is the partner in crimefighting taking the night off?
A wise and judicious decision.
Even we need to take breaks sometimes, don't you think?
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We wouldn't want to burn out. The work's too important.
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I am evil. And giving Eileen clues.
Yours is an evil laugh.
Yeeees it is.
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of course, just waiting. When a car pulls up on the street below and someone gets out and enters the building, he'll stand slowly, the movement relaxed, and move toward the door that leads back into the building. She might also notice the glint of moonlight on the blade in one of his hands.What she will not notice is any sense of what he's thinking.
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But only half.
The movement is enough to get her on her feet and following, silent, across to the rooftop with movement.
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He listened to that sort of feeling, it's what kept him from tangling too often with the self-appointed "heroes" of the city. So they couldn't recognize him on sight, unlike some of their other antagonists.
But if he waits too much longer, his target will be safely ensconced and much more difficult to reach. Difficult enough to wait for another night, though is employer will be displeased.
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*sporfles* IF YOU ONLY KNEW, EILEEN
This can only end well, I tell you.
*BEAMS*
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No reason to get antsy. Maybe it's an innocuous thing.
But maybe she's going to get to smash some faces in--that could be fun.
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Because the secret needs to get out eventually
For great justice!
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...best dad.
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I am drowning in tags. what is one more.
How's it going tonight?
That is how we roll, yo.
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...pretend that didn't happen.
If you pretend that HTML didn't happen before.
did anything happen? nothing happened!
Nothing to see here but us being smooth.
I chose sleep over tagging last night. But Isobel is here now.
Is the partner in crimefighting taking the night off?
A wise and judicious decision.
Even we need to take breaks sometimes, don't you think?
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I am evil. And giving Eileen clues.
Yours is an evil laugh.
Yeeees it is.
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of course, just waiting. When a car pulls up on the street below and someone gets out and enters the building, he'll stand slowly, the movement relaxed, and move toward the door that leads back into the building. She might also notice the glint of moonlight on the blade in one of his hands.What she will not notice is any sense of what he's thinking.
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But only half.
The movement is enough to get her on her feet and following, silent, across to the rooftop with movement.
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*sporfles* IF YOU ONLY KNEW, EILEEN
This can only end well, I tell you.
*BEAMS*
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