It's his favourite way to wake up--or fall asleep. There's something just entirely genuinely comforting about having Elliot's fingers tracing over his bare skin. It's starting to be a pattern, even, and the familiarity makes it even better.
Recently, he's started to wonder if the delicate patterns are something more than just random expressions. They've started to feel familiar as patterns themselves, after all.
So the return of consciousness today comes with as much stillness as he can. His breath stays slow and steady, eyes gently closed. Now is the time, groggy though he is, to try and guess the pattern.
There'll be a brief halting in the tracing as Edgar seems to rouse slightly. When the other young man's eyes stay closed, Elliot will settle back in again, his nose resting carefully against the other young man's hair.
It's mostly unconscious, at first, but after a few moments it'll be a more deliberate 'I love you' written against his skin.
For a few minutes, he's certain he's imagining it. With sleep still clinging around his brain, surely he's just starting to read meaning into what's nothing at all.
But he keeps feeling the pattern. He keeps feeling, very distinctly, the same familiar words being scribbled against his bare, lightly scarred skin.
It's impossible, once he properly realizes it, not to let out a shaky sort of sigh.
There'll be another brief halt of his fingers; a shift to briefly glance down and see if he's moving towards wakefulness. Even when he doesn't quite see the signs, his hand will settle a little more carefully against the other young man's skin.
It will take him another few moments to start up again.
He doesn't want it to stop. He doesn't want this moment of feeling quiet affirmation to ever stop, really. It's just he also doesn't want Elliot to keep freezing up every time he shifts or sighs or moves just slightly the wrong way.
He still gives a faintly more pronounced sort of stretch than he feels necessary to broadcast the return of his consciousness.
It's important to squirm all the way around properly. It's important to find the spot where he fits in under Elliot's chin, where his arms can tug properly tight around the other young man.
It's important to reply, but it's more important still to have it clear what he's replying to.
"Hey." It's very soft, slightly muffled against Elliot's collar bone. "I-- love you too."
There's a slight catch in his breath in surprise at the murmured words and the fact that they're an acknowledgement. His arms settle more properly around Edgar after a moment of processing.
"'s... 's a lot, Ed."
It's just very hard to say when he isn't tracing it into the other young man's skin.
He feels it when he wakes up in the morning and when he goes to sleep at night. He feels it when they're alone like this and there's allowed to be a world of physical demonstration. He even feels it when they're out in the world and their eyes meet for half a second and his heart starts hammering all at once from the knowledge of it.
His lips press carefully against the pulse in Elliot's throat for a second before he feels compelled to ask, "Is... it okay that-- I say it, though?"
He can murmur that much back as he releases Edgar slightly so the other young man can stretch. He's going to keep watching him move with absolute adoration in his eyes.
It absolutely makes his heart soar to hear. It's got him grinning ridiculously bright as he rubs at his eyes and pushes all the hair back from his face.
It also makes his lips purse just a little thoughtfully.
It feels oddly important to say with this small amount of space between them. He stays comfortably settled on his back, head rolling to the side to properly study Elliot's features.
"I would-- stand in the turrets and shout t' the whole world that I love you. I would kiss you-- in front of my dad. I'd marry you."
It's moderately hyperbolic, yes, but it's about the point underlying. They're starting from one of them being unable to articulate 'I love you' out loud.
"So... promise you'll tell me, okay? What-- works for you. What's-- too much or not enough. Please?"
It's entirely natural, at this point, to squeeze Elliot's fingers tight in response. Alone like this is the best time to indulge in this comfortable intimacy, after all.
"It is. I want-- to be with you, y'know? Whatever that means."
no subject
Recently, he's started to wonder if the delicate patterns are something more than just random expressions. They've started to feel familiar as patterns themselves, after all.
So the return of consciousness today comes with as much stillness as he can. His breath stays slow and steady, eyes gently closed. Now is the time, groggy though he is, to try and guess the pattern.
no subject
It's mostly unconscious, at first, but after a few moments it'll be a more deliberate 'I love you' written against his skin.
no subject
But he keeps feeling the pattern. He keeps feeling, very distinctly, the same familiar words being scribbled against his bare, lightly scarred skin.
It's impossible, once he properly realizes it, not to let out a shaky sort of sigh.
no subject
It will take him another few moments to start up again.
no subject
He still gives a faintly more pronounced sort of stretch than he feels necessary to broadcast the return of his consciousness.
no subject
"Mornin'."
no subject
It's important to reply, but it's more important still to have it clear what he's replying to.
"Hey." It's very soft, slightly muffled against Elliot's collar bone. "I-- love you too."
no subject
"'s... 's a lot, Ed."
It's just very hard to say when he isn't tracing it into the other young man's skin.
no subject
"A lot?"
He just wants this to be safe. He just wants 'I love you' to be a truth between them, if not a spoken statement.
no subject
He can't actually say it aloud, just yet. He'll settle for a rough kiss against his cheek and a deliberate, careful retracing of the words again.
"--That. A lot. Okay?"
He dearly hopes he understands how difficult it is for him to actually say it.
no subject
It comes back in a pleased, shaky sigh as he curls closer, forehead pressing hard to the other young man's neck. "So much, Elliot. I-- feel it, okay?"
Even if the words never come beyond this quiet trace of fingers and fumbling half-spoken thought.
no subject
It's important to murmur against his cheek. Pressing his lips against the other young man's temple feels important.
"'m-- glad you do. Really."
no subject
He feels it when he wakes up in the morning and when he goes to sleep at night. He feels it when they're alone like this and there's allowed to be a world of physical demonstration. He even feels it when they're out in the world and their eyes meet for half a second and his heart starts hammering all at once from the knowledge of it.
His lips press carefully against the pulse in Elliot's throat for a second before he feels compelled to ask, "Is... it okay that-- I say it, though?"
no subject
no subject
"Hey." His forehead bumps against Elliot's with absolute certainty. "It's okay if-- you never say it. I-- know it's true. Promise."
no subject
no subject
no subject
He can't help but smile slightly in response, his lips pressing carefully against the other young man's lovingly.
"Promise."
no subject
And they'll both be happy.
no subject
Because this is quite exactly and entirely what he wants.
no subject
As is one more kiss before he has to roll onto his back and stretch his arms for a few seconds.
"I love you, Elliot."
no subject
He can murmur that much back as he releases Edgar slightly so the other young man can stretch. He's going to keep watching him move with absolute adoration in his eyes.
no subject
It also makes his lips purse just a little thoughtfully.
"Promise me something?"
no subject
"What, Ed?"
no subject
It feels oddly important to say with this small amount of space between them. He stays comfortably settled on his back, head rolling to the side to properly study Elliot's features.
"I would-- stand in the turrets and shout t' the whole world that I love you. I would kiss you-- in front of my dad. I'd marry you."
It's moderately hyperbolic, yes, but it's about the point underlying. They're starting from one of them being unable to articulate 'I love you' out loud.
"So... promise you'll tell me, okay? What-- works for you. What's-- too much or not enough. Please?"
no subject
"I... s-sure, Ed. 'f that's what you really want."
no subject
"It is. I want-- to be with you, y'know? Whatever that means."
no subject
"I jus' want this," he murmurs softly, "This-- this is great."
no subject
And that feels like an 'I love you.' The fingers in his hair feel like an 'I love you' too.
"So let's-- just keep this, then."
no subject
no subject
Even if this is as close to an 'I love you' as they ever get.
no subject
Just as good at this, or maybe even better.
no subject
no subject
It's much easier to, when lips are pressed against lips like this.